1. ALDRIDGE, JOHN W. （ed,）．《关于现代小说的批评和论文：1920—1951》 Critiques and Essays on Modern Fiction：1920—1951.Representing the Achievement of Modern American and British Critics. New York, 1952.
2. ALLEN, WALTER《英语小说》The English Novel: A Short Critical History. London, 1954． New York, 1955.
3．——．《阅读小说》Reading a Novel. London and New York, 1949.
4. ALLOTT, MIRIAM《小说家论小说》Novelists on the Novel.New York, 1959.
5. ALTICK, RICHARD D.《英语普通读者》The English Common Reader: A Social History of the Mass Reading Public, 1800—1900．Chicago, 1957.
6．ANDERSON, SHERWOOD《舍伍德·安德森笔记》Sherwood Anderson's Notebook. New York, 1926.
7. AUERBACH, ERICH．《模仿》Mimesis: The Representation of Reality in Western Literature. Translated by WILLARD TRASK．Princeton, 1953. Anchor ed., Garden City, N.Y., 1957.Orig. Berne, 1946.
8. BAKER, ERNEST．《英语小说史》The History of the English Novel. 9 vols. London, 1924—1938.
9. BEACH, JOSEPH WARREN:《美国小说, 1920—1940》American Fiction：1920-1940. New York, 1941, 1948.
10.——．《乔治·梅瑞狄斯的喜剧精神》The Comic Spirit in George Meredith：An Interpretation. New York, 1911．
11.——．《亨利·詹姆斯的方法》The Method of Henry James.New Haven, 1918. Enlarged. ed, Philadelphia, 1954.
12.——《20世纪小说》The Twentieth-Century Novel: Studies in Technique. New York, 1932.
13. BLACKMUR, R. P.《雄狮与蜂巢》The Lion and the Honey-comb：Essays in Solicitude and Critique. New York, 1955. London, 1956.
14. BOOTH,BRADFORD A.《小说》 "The Novel," in Contemporary Literary Scholarship．ed ．LEWIS LEARY New York, 1958.
15. BOWEN, ELIZABETH．《印象集》Collected Impressions. London, 1950.
16. BRICKELL, HERSCHEL （ed：）《作家论写作》Writers on Writing.New York, 1949.
17. BROOKS, CLEANTH, and WARREN, ROBERT PENN《理解小说》Understanding Fiction. New York, 1943.
18. BROWN, ROLLO WALTER （ed.）.《实践作家论作家的艺术》The Writer's Art by Those Who Have Practiced It. Cambridge, Mass., 1921
19．COMFORT, ALEX《小说与我们的时代》The Novel and Our Time. London, 1948.
20. COOK, ALBERT．《小说的意义》The Meaning of Fiction.Detroit, 1960.
21. CRANE, RONALD S. （ed.）．《批评家与批评》Critics and Criticism：Ancient and Modern. Chicago, 1952.
22.——．《批评的语言与诗的结构》The Languages of Criticism and the Structure of Poetry. Toronto, 1953.
23．DAICHES, DAVID.《现代小说家的问题》 "Problems for Modern Novelists," in Accent Anthology. New York, 1946.
24.——．《小说与现代世界》The Novel and the Modern World.Chicago, 1939. Rev. ed., 1960.
25. DUIIAMEL, GEORGES.《小说评论》Essai sur le roman. Paris, 1925.
26.——《虚构回忆录评论》 "Remarques Sur les mémoires imaginaires," Mercure de France, Vol. XXVI （1934）.
27. EDEL. LEON．《心理小说》The Psychological Novel, 1900—1950. London and Philadelphia, 1955.
28. EDEI, LEON, and RAY, CORDON．《亨利·詹姆斯与赫·乔·威尔逊》Henry James and H. G. Wells：A Record of Their Friendship,Their Debate on the Art of Fiction, and Their Quarrel. Urbana, 1958.
29. EDGAR, PELHAM.《小说的艺术：1700年至今》The Art of the Novel: From 1700 to the Present Time. New York, 1933.
30. FORSTER, E. M.《小说面面观》Aspects of the Novel. London, 1927.
31. FRANK, JOSEPH.《现代小说的空间形式》 "Spatial Form in Modern Literature, "Sewanee Review, LIII （Spring, Summer, and Autumn, 1945）, partly reprinted as "Spatial Form in the Modern Novel”in No. 1．
32. FRIEDMAN, NORMAN.《布局的形式》 "Forms of the Plot, " Journal of General Education, VIII （July, 1955）, 241—253.
33. FRYE, NORTHROP《批评的剖析》The Anatomy of Criticism．Princeton, 1957.
34. GALLISHAW, JOHN.《小说作家的高深问题》Advanced Problems of the Fiction Writer. New York and London, 1931．
35. GOODMAN, PAUL.《文学的结构》The Structure of Literature.Chicago, 1954. Deserves much more attention than it has received.
36. GRANT, DOUGLAS.《小说及其批评术语》 "The Novel and Its Critical Terms, "Essays in Criticism, I（October, 1951）, 421—429.
37. HAMILTON, CLAYTON.《小说的题材与方法》Materials and Methods of Fiction. Norwood, Mass., and London, 1909.
38. HARDY, BARBARA.《乔治·艾略特的小说》The Novels of George Eliot. London, 1959.
39. HICKS. GRANVILLE（ed.）．《当代小说》The Living Novel.New York, 1957.
40. JAMES, HENRY《小说的艺术及其他》The Art of Fiction and Other Essays, ed. MORRIS ROBERTS．New York, 1948. See Nos. 1, 43,50, and 324-338.
41. JOHNSON．R．BRIMLEY（ed.）．《小说家论小说》Novelists on Novels：From the Duchess of Newcastle to George Eliot. London: 1928.
42. KENNEDY, MARGARET.《诗坛的罪人》The Outlaws on Parnassus. London, 1958.
43. LEAVIS. F. R.《伟大传统》The Great Tradition. London,1948.
44. LEAVIS. Q. D.《小说与阅读大众》Fiction and the Reading Public. London, 1932.
45. LEGGETT, H. W.《小说中的观念》The Idea in Fiction.London,1934.
46. LERNER, LAURENCE D.《最真的诗》The Truest Poetry.London, 1959.
47. LEVIN, HARRY．《小说》 "The Novel," in Dictionary of World Literature, ed. JOSEPH SHIPLEY. New York, 1943.
48. LEWIS, R. W. B.《邪恶的圣者》The Picaresque Saint:Representative Figures in Contemporary Fiction. New York, 1959.
49. LIDDELL, ROBERT．《小说论》A Treatise on the Novel.London, 1947.
50. LUBBOCK, PERCY．《小说的技巧》The Craft of Fiction. London,1921．
51．LUKÁCS, GYÖRGY《欧洲现实主义研究》Studies in European Realism：A Sociological Survey of the Writings of Balzac, Stendhal, Zola, Tolstoy, Gorki, and Others. Translated by EDITH BONE．London,1950.
52．MCCARTHY, MARY.《小说中的事实》 "The Fact in Fiction, "Partisan Review, XXVII（Summer, 1960）, 438—458.
53．MCKEON, RICHARD.《艺术和批评的哲学基础》 "The Philosophic Bases of Art and Criticism," in No. 21．First published, Modern Philology, XLI—XLII （November, 1943, and February,1944）.
54．MCKILLOIS, ALAN DUGALD.《英语小说的早期大师》The Early Masters of English Fiction. Lawrence （Kan.）, 1956.
55．MANSFIELD, KATHERINE.《凯瑟琳·曼斯菲尔德的旅程》The Journal of Katherine Mansfield, ed. J．MIDDLETON MURRY．New York and London, 1927. "Definitive Edition," 1954.
56．——．《小说与小说家》Novels and Novelists, ed. J. MIDDLETON MURRY.London, 1930.
57. MENDILOW, A. A.《时代与小说》Time and the Novel.London and New York, 1952.
58．M'UDRICK, MARVIN.《小说中的人物和事件》 "Character and Event in Fiction," Yale Review, L（Winter, 1961）, 202—218.
59. MU I R ．EDWIN.《小说的结构》The Structure of the Novel.London, 1928. New York, 1929.
60. MULLER, H. J.《现代小说》Modern Fiction: .A Study of Values. New York, 1937.
61. O'CONNOR, WILLIAM VAN （ed.）.《现代小说的形式》Forms of Modern Fiction: Essays Collected in Honor of Joseph Warren Beach.Minneapolis, 1948.
62. PERKINS, MAXWELL, E．《编辑致作者》Editor to Author：The Letters of Maxwell E. Perkins, ed. JOHN HALL WHEELOCK. New York and London, 1950.
63. PEYRE, HENRI《作家及其批评家》Writers and Their Critics:A Study of Misunderstanding. Ithaca, N. Y., 1944.
64. RADER, MELVIN （ed.）.《现代美学论著》A Modern Book of Aesthetics. Rev. ed., New York, 1952.
65．RAHV, PHILIP.《小说与小说批评》 "Fiction and the Criticism of Fiction," Kenyon Review, XVIII （Spring, 1956）, 276—299.
66. RANSOM, JOHN CROWE.《理解小说》 "The Understanding of Fiction," Kenyon Review, XII（Spring, 1950）, 189—218.
67. RATHBURN, ROBERT C., and STEINMANN, MARTIN, JR. （eds.）.《从简·奥斯丁到约瑟夫·康拉德》From Jane Austen to Joseph Conrad.Minneapolis, 1958.
68. RICKWORD, C. H.《小说摘记》 "A Note on Fiction, " in No. 61, pp. 294—305.
69．SIMON, IRENE.《从狄更斯到乔伊斯的英国小说的形式》Formes du roman anglais de Dickens a Joyce.（ "Bibliothèque de la Faculté de Philosophie et Lettres de I'Université de Liege, "Fascicule CXVIII）, 1949.
70. SNOW. C. P.《科学、政治与小说家》 "Science, Politics, and the Novelist," Kenyon Review, XXIII （Winter, 1961）, 1—17.
71. STANG, RICHARD.《英国小说理论, 1850年—1870年》The Theory of the Novel in England, 1850—1870. New York, 1959.
72. TILLYARD, E. M. W.《英语小说中的史诗》The Epic Strain in the English Novel. London, 1958.
73. WARREN, AUSTIN, and WELLEK, RENL《文学理论》Theory of Literature. New York, 1949.
74. WATT, IAN.《小说的兴起》The Rise of the Novel: Studies in Defoe, Richardson and Fielding. Berkeley, 1957.
75. WEST, RAY B., JR., and STALLMAN, R. W.《现代小说的艺术》The Art of Modern Fiction. New York, 1949.
76．WHARTON, EDITH. 《小说写作》The Writing of Fiction.New York and London, 1925.
77. WINTERS, YVOR.《现代文学批评家的问题》 "Problems for the Modern Critic of Literature, "Hudson Review, IX （Autumn, 1956）,325—386.
78.《作家漫谈》Writers at Work: The Paris Review Interview. London, 1958.
79．ZABEL, M. D.《技巧与人物》Craft and Character: Texts, Methods, and Vocation in Modern Fiction. New York, 1957.
80. ZOLA, EMILE.《实验小说及其他》The Experimental Novel,and Other Essays. Translated by BELLE M. SHERMAN. New York, 1893.
81. AMES, VAN METER.《小说美学》Aesthetics of the Novel.Chicago, 1928, pp. 177—193.
82. ANON.《奥利农场》 "Orley Farm, "National Review, XVI（January,1863）, 27—40. Cited in Stang, No. 71, pp. 95—96.
83. ANON.《女作家约翰·哈利法克斯的小说》 "Novels by the Authoress of John Halifax, "North British Review, XXIX （November,1858）, 466—480. In No. 71, p. 95.
84．ANON.《两部新小说》 "Two New Novels, "Spectator, XXXV（Dec. 27, 1862）, 1447—1448. In No. 71, p. 96.
85. ARISTOTLE.《诗学》Poetics. Chaps. xiv, xviii, and xxiv.
86．ARNOLD, MATTHEW.《〈诗篇〉序言》" Preface" to Poems（1st ed., 1853）.
87. BENNETT, JOAN.《乔治·艾略特》George Eliot: Her Mind and Her Art. London, 1948. Esp. p. 106.
88. BENTLEY, PHYLLIS《对叙述艺术的某些考察》Some Observations on the Art of Narrative. London, 1946.
89．BLACKMUR, R. P.《亨利·詹姆斯的放任松散的巨兽》 "The Loose and Baggy Monsters of Henry James, " in No. 13.
90. BOOTH, BRADFORD.《安东尼·特罗洛普》Anthony Trollope:Aspects of His Life and Art. Bloomington, 1958. Esp. p. 178.
91.——．《小说的形式与技巧》 "Form and Technique in the Novel," in The Reinterpretation of Victorian Literature, ed. JOSEPH E. BAKER. Princeton, 1950. Esp. pp. 79, 95.
92. BOWEIV, ELIZABETH.《印象集》Collected Impressions. London,1950. Esp. " Notes on Writing a Novel," pp. 249—263.
93. BROOKE-ROSE, CHRISTINE.《消失的作者》 "The Vanishing Author, "Observer （Feb. 12, 1961）, p. 26.
94. BROWN, E. K.《两种小说章程：詹姆斯和威尔斯》 "Two Formulas for Fiction：Henry James and H. G. Wells, "College English, VIII（1946）, 7—17.
95. [BULWER—LYTTON, EDWARD GEORGE]．《卡克斯顿风格》 "Caxtoniana. "Blackwood's Edinburgh Magazine, XCIII （May, 1863）,558. Cited in No. 71, p. 123.
96. [CHAPMAN, R. W.]．《简·奥斯丁的方法》 "Jane Austen's Methods, " TLS（Feb. 9, 1922）; pp. 81—82.
97. COLERIDGE, SAMUEL TAYLOR.《关于莎士比亚的评论和演讲》Essays and Lectures on Shakspeare. London （Everyman ed.）, [1907].
98. COOPER, WILLIAM.《小说技巧》 "The Technique of the Novel, " in The Author and His Public:Problems in Communication,ed. C. V. WEDGWOOD London, 1957.
99. DEL Rio, ANGEL:《乌纳穆诺的三篇小说代表作导言》Introduction to Three Exemplary Novels by Unamuno. New York, 1956.
100. DEVOTO, BERNARD.《无形的小说家》 "The Invisible Novelist, "Pacific Spectator, IV （Winter, 1950）, 30—45.
101.——．《小说的世界》The World of Fiction. New York, 1950.
102. DICKENS, CHARLES.《查尔斯·狄更斯书信集》The Letters of Charles Dickens, ed. WALTER DEXTER. 3 vols. London, 1938.
103. DIFFENE, PATRICIA I.《亨利·詹姆斯》Henry James：Versuch einer Würdigung seiner Eigenart. [Bochum, Germany], 1939.
104. DREW, ELIZABETH.《现代小说》The Modern Novel: Some Aspects of Contemporary Fiction. New York, 1926. Esp. pp. 243—262.
105. DRYDEN, JOHN.《剧体诗论》An Essay of Dramatic Poesy, London, 1668.
106．——．《致尊敬的罗伯特·霍华德先生》 "A Letter to the Honorable Sir Robert Howard, " prefacing Annus Mirabilis （1666）.
107. EDEL, LEON．《亨利·詹姆斯小说选篇导言》 "Introduction, "Henry James：Selected Fiction. New York, 1953.
108. EMPSON, WILLIAM,《〈汤姆·琼斯〉论》 "Tom Jones," Kenyon Review, XX （Spring, 1958）, 217—249. See No. 144, below.
109. FORD, FORD MADOX.《英语小说》The English Novel：From the Earliest Days to the Death of Joseph Conrad. London, 1930.
110．——．《约瑟夫·康拉德》Joseph Conrad: A Personal Re—membrance. London and Boston, 1924.
111．——．《技巧》 "Techniques, "Southern Review, I （July,1935）, 20—35.
112. FRIEDEMANN, KATE.《小说中叙述者的作用》Die Rolle des Erzählers in der Epik. Leipzig, 1910.
113．FRIEDMAN, NORMAN.《小说中的视点》 "Point of View in Fiction：The Development of a Critical Concept, "PMLA, LXX（December, 1955）, 1160—1184.
114. GARDINER, HAROLD C.《小说的思想规范》Norms for the Novel. New York, 1953.
115. GEROULD,GORDON HALL.《怎样阅读小说》How To Read Fiction. Princeton, 1937.
116．GIBSON, WILLIAM M., and EDEL, LEON.《豪威尔斯和詹姆斯》Howells and James, a Double Billing. New York, 1958.
117. GORDON, CAROLINE.《怎样阅读小说》How To Read a Novel. New York, 1957.
118. GORDON, CAROLINE, and TATE, ALLEN.《小说的世界》The House of Fiction. New York, 1950.
119. GRABO, CARL H.《小说的技巧》The Technique of the Novel. New York, 1928.
120. GREEN. HENRY.《访问记》" Interview" in Paris Review,XIX（Summer, 1958）, 60—77.
121. GUETTI, JAMES L., JR.《约瑟夫·康拉德的修辞》The Rhetoric of Joseph Conrad. （ "Amherst College Honors Thesis," No. 2.） Amherst,1960.
122．HALLIDAY, E. M.《〈傲慢与偏见〉叙述的透视方法》 "Narrative Perspective in Pride and Prejudice, "Nineteenth-Century Fiction, XV（June, 1960）, 65-71.
123. HARRIS. MARK.《来之不易》 "Easy Does It Not," in No.39.
124. HARVEY, W. J.《乔治·艾略特和全知作者的惯例》 "George Eliot and the Omniscient Author Convention, "Nineteenth-Century Fiction, XIII （September, 1958）, 81—108.
125. HOGARTH, BASIL.《小说写作技巧》The Technique of Novel Writing：A Practical Guide for New Authors. London, 1934.
126. JARRETT—KERR, MARTIN.《弗朗索瓦·莫里亚克》Francois Mauriac. Cambridge, 1954.
127. KNIGHT, KOBOLD.《小说写作指南》A Guide to Fiction Writing. London, 1936.
128.[LEwEs, G.H.].《简·奥斯丁的小说》 "The Novels of Jane Austen, " Black wood's Edinburgh Magazine, LXXXVI （July, 1859）, 101—105.
129. LIDDELL, ROBERT.《小说的某些原则》Some Principles of Fiction. London, 1953. See esp. " Summary," pp. 53—69.
130. MAC CARTHY, DESMOND.《批评》Criticism. London and NewYork, 1932．Esp. pp. 230—234.
131 MANDEL, OSCAR.《〈堂·吉诃德〉中思想规范的功能》 "The Function of the Norm in Don Quixote, " Modern Philology, LV （February, 1958）, 154—263.
132. MATLAW, RALPH E.《〈卡拉马佐夫兄弟〉的技巧》The Brothers Karamazov：Novelistic Technique. The Hague, 1957.
133. MAUGHAM, W. SOMERSET.《〈汤姆·琼斯传〉导言》Introduction to The History of Tom Jones. Toronto, 1948.
134. MEREDITH, GEORGE.《纯文学》 "Belles Lettres, "Westminster Review, LXVII （April, 1857）, 615—616.
135. MONTAGUE, C. E.《作家工作摘记》A Writer's Notes on His Trade. London, 1930.
136. MORRISSETTE, BRUCE.《小说中的新结构》 "New Structure in the Novel：Jealousy, by Alan Robbe—Grillet, "Evergreen Review, No.10（November—December, 1959）, pp. 103—107, 164—190.
137. MYERS, WALTER L.《晚期现实主义》The Later Realism：A Study of Characterization in the British Novel. Chicago, 1927.
138. OLIVER, HAROLD J.《爱·摩·福斯特》 "E. M. Forster：The Early Novels, "Critique, I （Summer, 1957）, 15—32.
139. ORTEGA Y GASSET, JOSE．《艺术的非人化》The Dehumanization of Art. Translated by WILLARD TRASK. Princeton, 1948.Anchored.; Garden City, N. Y., 1956.
140. PARKS, EDD WINFIELD.《特罗洛普和阐述的辩护》 " Trollope and the Defense of Exegesis, "Nineteenth—Century Fiction, VII （March,1953）, 265—271．
141.——．《简·奥斯丁小说中的阐述》 "Exegesis in Austen's Novels, "South Atlantic Quarterly, LI （January, 1952）, 102—119.
142. PETER, JOHN.《乔伊斯与小说》 "Joyce and the Novel, "Kenyon Review, XVIII （Autumn, 1956）, 619—632.
143. PLATO.《理想国》The Republic Book iii. secs. 392D—394C.144. RAWSON, C. J.《燕卜逊教授的〈汤姆·琼斯〉》 "Professor Empson's Tom Jones, "Notes and Queries, N. S. VI （November, 1959）,400—404.
145. ROVIT, EARL H.《含混的现代小说》 "The Ambiguous Modern Novel, "Yale Review （Spring, 1960）, pp. 413—424.
146. SAINTSBURY, GEORGE.《技巧》 "Technique, "Dial, LXXX（April, 1926）, 273—278.
147. SARTRE, JEAN PAUL.《文学与哲学论文》Literary and Philosophical Essays. [Extracts from " Situations I and III." ] Translated by ANNETTE MICHELSON. London, 1955. Esp. "Francois Mauriac and Freedom, " originally published as a review of Mauriac's La fin de la nuit, in Nouvelle Revue Francaise （February, 1939）.
148．——．《文学是什么？》What Is Literature？[An extract from "Situations II.”] Translated by BERNARD FRECHTMAN. London, 1950.
149. SCHORER, MARK.《作为发现的技巧》 "Technique as Discovery," Hudson Review, I （Spring, 1948）, 67—87.
150. SCRUTTON. MARY.《小说迷》 "Addiction to Fiction, "The Twentieth Century, CLIX （April, 1956）, 363—373.
151. SENIOR, NASSAU.《萨克雷的作品》 "Thackeray's Works, "Edinburgh Review, XCIX （January, 1854）, 196一243. Cited in No. 71,p. 96.
152. SHANNON, EDGAR E., JR.《〈爱玛〉的人物与构造》 "Emma：Character and Construction, "PMLA, LXXI （September, 1956）, 637—650.
153. SHERWOOD, IRMA Z.《作为评论者的小说家》 "The Novelists as Commentators," in The Age of Johnson：Essays Presented to Chauncey Brewster Tinker, ed. by F. W. HILLES. New Haven, 1949.
154. SOSNOSKY, THEODOR VON.《人们如何写作小说》 "Wie man Romane schriebt, "Die Gegenwart （Berlin）, LIX （June 1, 1901）, 345—348.
155. STANZEL, FRANZ.《小说的叙述特征》Die Typischen Erzählsituationen im Roman, dargestellt an Tom Jones, Moby—Dick, The Ambassadors, Ulysses, u.a. Vienna, 1955.
156. STEINER, F. G.《〈米德尔马奇〉序言》 "A Preface to Middlemarch, "Nineteenth-Century Fiction,IX（1955）, 262—279.
157. STEINMANN, MARTIN, JR《旧小说和新小说》 "The Old Novel and the New, " in No. 67.
158. STEPHEN, LESLIE.《图书馆里的时光》Hours in a Library.New York, 1904.
159. STERN, RICHARD G.《普鲁斯特和乔伊斯正在工作》 "Proust and Joyce Underway：Jean Santeuil and Stephen Hero, "Kenyon Review, XVIII （Summer, 1956）, 486—496.
160. STEVENSON, ROBERT LOUIS.《谦卑的忠告》 "A Humble Remonstrance," in Memories and Portraits. London and New York,1887, pp, 275—299.
161. TATE, ALLEN.《小说中观察的位置》 "The Post of Observation in Fiction, "Maryland Quarterly,II（1944）, 61—64.
162.——．《小说技巧》 "Techniques of Fiction, "Sewanee Review,LII （1944）, 210—25. Reprinted in Nos. 1 and 61：also in Tate's On the Limits of Poetry. New York, 1948.
163. THACKERAY. WILLIAM MAKEPEACE.《德·费尼布》“De Finibus, "Cornhill, Magazine （August, 1862）. Reprinted in No. 18, pp.263—274.
164. TILFORD, JOHN E., JR.《老式介入者詹姆斯》 "James the Old Intruder, "Modern Fiction Studies, IV（Summer, 1958）, 157—164.
165. TILLO'I'SON, KATHLEEN.《故事与讲述者》The Tale and the Teller. London, 1959.
166. TINDALL, WILLIAM YOLK.《为马洛辩》 "Apology for Marlow," in No. 67.
167. VAN GHENT, DOROTHY.《英语小说》The English Novel,Form and Function. New York, 1953.
168. WALZEL, OSKAR.《语言艺术作品》Das Wortkunstwerk:Mittelseiner Erforschung. Leipzig, 1926.
169.——．《艺术语言特征》Ricarda Huch: Ein Wort überKunst des Erzählens. Leipzig, 1916. See esp. chap. i： "Bekennertum and künstlerische Objektivität. "
170. WELLEK, RENL《亨利·詹姆斯的文学理论和批评》 "Henry James's Literary Theory and Criticism, "American Literature, XXX（November, 1958）, 293—321. See also No. 73.
171. WILLIAMS, RAYMOND.《阅读与批评》 Reading and Criticism.London, 1950.
172. WRIGHT, ANDREW H.《简·奥斯丁的小说》Jane Austen's Novels：A Study in Structure. New York and London, 1953.
173. ADAMS, HAZARD.《乔伊斯·卡里的三位代言人》 "Joyce Cary's Three Speakers, "Modern Fiction Studies, V （Summer, 1959）,108—120.
174. BECK, WARREN.《概念与技巧》 "Conception and Technique, "College English, XI （March, 1950）, 308—317.
175. BLACK, F. G.《英语书信小说技巧》The Technique of Letter Fiction in English: 1740—1800. Cambridge, Mass., 1933.
176.——．《18世纪晚期书信小说》The Epistolary Novel in the Late Eighteenth Century. Eugene,Ore., 1940.
177．BOWLING, LAWRENCE EDWARD.《意识流技巧是什么》 "What Is the Stream of Consciousness Technique? "PMLA, LXV（June,1950）, 333—345.
178. BROWN, E. K.《小说中的节奏》Rhythm in the Novel.Toronto, 1950.
179. DUJARDIN, EDOUARD.《内心独白》Le monologue intérieur.Son apparition. Ses origines. Sa place dans l' oeuvre de James Joyce. Paris, 1931.
180．FORSTREUTER, KURT.《德语第一人称短篇小说》Die deutsche Icherzählung: Eine Studie zu ihrer Geschichte and Technik: Berlin, 1924.
181. FRIEDMAN, MELVIN.《意识流》Stream of Consciousness：A Study in Literary Method. New Haven, 1955.
182. GREEN, HENRY.《访问记》 "Interview, "Paris Review, No.19 （Summer, 1958）, pp. 60—77.
183. HATCHER, ANNA GRANVILLE.《作为现代小说家的手段的目击》 "Voir as a Modern Novelistic Device, " Philological Quarterly, XXIII（October, 1944）, 354—374.
184. HOLLOWAY, JOHN.《维多利亚时代贤人》The Victorian Sage:Studies in Argument. London, 1953.
185. HUMPHREY, ROBERT.《现代小说中的意识流》Stream of Consciousness in the Modern Novel. Berkeley, 1954.
186. KERR, ELIZABETH M.《乔伊斯·卡里的第二个三部曲》 "Joyce Cary's Second Trilogy, "University of Toronto Quarterly, XXIX（April, 1960）, 310—325.
187. LooMIs, C. C., JR.《乔伊斯〈死者〉的结构与同情》 "Structure and Sympathy in Joyce's " The Dead," PMLA, LXXV （March, 1960）,149—151．
188. MARTIN, HAROLD C. （ed.）.《散文小说中的风格》Style in Prose Fiction （ "English Institute Essays," 1958.） New York, 1959.
189．MATLAW, RALPH E.《〈地屋摘记〉的结构与综合》 "Structure and Integration in Notes from Underground.”PMLA, LXXIII （March, 1958）, 101—109.
190. NEUBERT, ALBRECHT.《新派英语小说中的“间接叙述”风格》Die Stilformen der " erlebten Rede”im neueren englischen Roman.Halle, 1957.
191. POUILLON, JEAN《第一人称规律》 "Les règles du je," Temps Modernes, XII （April, 1957）, 1591—1598.
192. ROPER, ALAN H．《〈波因顿的珍藏品〉的道德与隐喻意义》 "The Moral and Metaphorical Meaning of The Spoils of Poynton, "American Literature, XXXII （May, 1960）, 182—196.
193．SCHORER, MARK《小说与“相似母题”》 "Fiction and the'Analogical Matrix," in No. 1.
194．SINGER, GODFREY FRANK.《书信小说》The Epistolary Novel: Its Origin, Development, Decline, and Residuary Influence.Philadelphia, 1933.
195．SOSNOSKY, THEODOR VON.《小说中的“我”》 "Der 'Ich' im Roman, " in No. 154, pp. 347—348.
196. STEINMANN, MARTIN, JR.《西·弗·波伊斯的象征主义》 "The Symbolism of T. F. Powys," Critique, I （Summer, 1957）, 49—63.
197．STONE, HARRY.《狄更斯与内心独白》 "Dickens and Interior Monologue, "Philological Quarterly, XXXVIII （January, 1959）, 52—65.
198. STRUVE, GLEB.《内心独白》 "Monologue intérieur: The Origins of the Formula and the First Statement of Its Possibilities, "PMLA, LXIX（December, 1954）, 1101—1111.
199. TUVE, ROSEMOND.《伊丽莎白时代的玄学派意象》Elizabethan and Metaphysical Imagery：Renaissance Poctic and Twentieth—Century Critics. Chicago, 1947.
200．——．《米尔顿的五首诗篇中的意象与主题》Images and Themes in Five Poems by Milton. Cambridge, Mass., and London,1957.
201.——．《不朽英名》 "A Name To Resound for Ages," Listener（Aug. 28, 1958）, pp. 312—313.
202．VICKERY, OLGA W.《〈喧嚣与骚动〉透视研究》 "The Sound and the Fury：A Study in Perspective, "PMLA, LXIX （December,1954）, 1017—1037.
203．WEATHERHEAD, A. KINGSLEY《亨利·格林最后小说中的结构与组织》 "Structure and Texture in Henry Green's Latest Novels, "Accent, XIX （Spring, 1959）; 112—122.
204. WENGER, JARED.《巴尔扎克小说中作为技巧的讲话》" Speech as Technique in the Novels, of Balzac," PMLA, LV （1940）, 241—252.
205. WEST, RAY B., JR.《凯瑟琳·安妮·波特》 "Katherine Anne Porter：Symbol and Theme in 'Flowering Judas', " in No. 1．Originally published in Accent, （Spring, 1947）.
206. WICKARDT, WOLFGANG.《狄更斯小说中的透视形式》Die Formender Perspektive in Charles Dickens Romanen: ihr sprachlicher Ausdruck und ihre strukturelle Bedeutung. Berlin, 1933.
207．ZELLER, HILDEGARD.《英国小说中的第一人称叙述》Die Ich Erzählung im englischen Roman. Breslau, 1933.
208. BECKER, GEORGE J.《现实主义》 "Realism：An Essay in Definition," Modern Language Quarterly, X（June, 1949）, 184—197.
209．BORGERHOFF, E. B. O.《“现实主义”与同类术语》 "Realisme and Kindred Words：Their Use as Terms of Literary Criticism in the First Half of the Nineteenth Century, "PMLA, LIII （September,1938）, 837—843.
210．BRISSENDEN, R. F.《塞缪尔·理查逊》Samuel Richardson（ "Writers and Their Work, " No. 101）. London, 1958.
211. BROD, MAX.《福楼拜与现实主义方法》 "Flaubert and die Methoden des Realismus, "Die Neue Rundschau, LXI（1950）, 603—612.
212．BULLOUGH, EDWARD.《作为艺术的一个要素和一项美学原则的“心理距离”》" 'Psychical Distance' as a Factor in Art and an Aesthetic Principle, "British Journal of Psychology, V （1912—1913）, 87—118.Reprinted in No. 64.
213. CARY, JOYCE.《艺术与现实》Art and Reality. Cambridge,1958.
214. CONRAD, JOSEPH.《〈水仙号上的黑家伙〉导言》Preface to The Nigger of the "Narcissus. "Widely reprinted; e. g., in Conrad's Prefaces to His Work, ed. EDWARD GARNETT. London, 1937.
215. COOK, ALBERT.《小说的开端》 "The Beginning of Fiction:Cervantes, "Journal of Aesthetics and Art Criticism, XVII （June, 1959）,463—472.
216. CURTIS, JEAN— LOUIS.《高等学校》Haute Ecole. Paris, 1950
217．DAVIS, ROBERT GORHAM.《英语小说中真实的意义》 "The Sense of the Real in English Fiction" , in No. 224.
218. DECKER, CLARENCE R.《维多利亚时代批评中对自然主义的美学反叛》 "The Aesthetic Revolt against Naturalism in Victorian Criticism, "PMLA, LIII （September, 1938）, 844—856.
219. FLAUBERT, GUSTAVE. See No. 239 for excellent bibliography of Flaubert's varying attitudes toward realism. A carefully selected bibliography is included in No. 235：No. 7 is helpful on Flaubert's rcalism, especially in chap. xviii. See also James, No. 221, and the " critical introduction" James wrote for the William Heinemann edition of Madame Bovary（1902, 1923, etc.）．关于福楼拜, 见第239、235、221条参考文献。
220. HYDE, WILLIAM J.《乔治·艾略特与现实主义气候》 "George Eliot and the Climate of Realism, "PMLA, LXXII （March, 1957）,147—164.
221．JAMES, HENRY:《法国诗人与小说家》French Poets and Novelists. London, 1884.
222. JOHNSON, SAMUEL《莎士比亚作品序言》 "Preface to Shakespeare. " 1766.
223. KRIEGER, MURRAY.《诗的新辩护者》The New Apologists for Poetry. Minneapolis, 1956.
224. LEVIN, HARRY （ed.）.《现实主义讨论》 "A Symposium on Realism, "Comparative Literature, Vol. III （Summer, 1951）.
225.——．《现实主义是什么？》 "What Is Realism?" Ibid., pp.193—199.
226. MCKEON, RICHARD.《古代的模仿概念》 "The Concept of Imitation in Antiquity, " in No. 21．
227. O'CONNOR, FRANK.《路上的镜子》The Mirror in the Roadway. London, 1957.
228．PATTERSON, CHARLES I.《柯勒律治关于小说中的戏剧化幻觉的概念》 "Coleridge's Conception of Dramatic Illusion in the Novel, "ELH, XVIII （June, 1951）, 123—137.
229. REYNOLDS, SIR JOSHUA《演讲》 "Discourse XIII" （December, 1786）.
230．RICHARDSON, SAMUEL. See No. 210.关于理查森, 参见参考文献第210条。
231. ROBINSON, E. ARTHUR《梅瑞狄斯的文学理论与科学》" Meredith's Literary Theory and Science: Realism versus the Comic Spirit, "PMLA, LIII （September, 1938）, 857—868.
232. SALVAN, ALBERT J.《法国现实主义特质》 "L'Essence du realisme francais, " in No. 224, pp. 218—233.
233．SINCLAIR, MAY.《多萝西·理查森〈尖屋顶〉导言）Introduction to Pointed Roofs. by Dorothy Richardson. London, 1919.
234．STOLL, ELMER EDGAR.《从莎士比亚到乔伊斯》From Shakespeare to Joyce. Authors and Critics；Literature and Life. NewYork, 1944.
235．THORLBY, ANTHONY《居斯塔夫·福楼拜与现实主义艺术》Gustave Flaubert and the Art of Realism. London, 1956.
236．WOOLE VIRGINIA《普通读者》The Common Reader.London, 1925.
237．——．《第二普通读者》The Second Common Reader.London, 1932．
238. YOUNG, EDWARD.《对原来组织的猜测》Conjectures on Original Composition, In a Letter to the Author of Sir Charles Grandison.London, 1759.
239. BONWIT, MARIANNE.《居斯塔夫·福楼拜与冷漠原则》Gustave Flaubert et le principe d'impassibilité. （ "University of California Publications in Modern Philology," Vol. XXXIII, No. 4, pp. 263—420）.Berkeley, 1950.
240. CHEKHOV, ANTON.《关于短篇小说、戏剧和其他文学论题的通信》Letters on the Short Story, the Drama and Other Literary Topics.Selected and edited by Louis S. FRIEDLAND. New York, 1924.
241. COLEY, WILLIAM B.《菲尔丁笑声的背景》 "The Background of Fielding's Laughter," ELH,XXVI （June, 1959）, 229—252．
242．CRUTTWELL, PATRICK.《作者与个人》 "Makers and Persons, "Hudson Review, XII（Winter, 1959—1960）, 487—507.
243. ELLMANN, RICHARD《叶芝》Yeats: The Man and the Masks. New York, 1948. London, 1949.
244．——．《詹姆斯·乔伊斯》James Joyce. New York, 1959.
245. EWALD, WILLIAM BRAGG, JR.《约拿旦·斯威夫特的假面》The Masks of Jonathan Swift. Oxford and Cambridge, Mass., 1954.
246. FARBER, MARJORIE.《现代小说中的主观性》 "Subjectivity in Modern Fiction, "Kenyon Review, VII（Autumn, 1945）, 645—652.
247. GIBSON, WALKER.《作者、代言人、读者, 以及假想读者》 "Authors, Speakers, Readers, and Mock Readers, "College English, XI（February, 1950）, 265—269.
248. KAIINERT, WALTER.《客观主义》Objektivismus：Gedanken iiber einen neuen Literaturstil.Berlin, 1946.
249. KEATS, JOHN《约翰·济慈的诗作及其他》The Poetical Works and Other Writings of John Keats, ed. H. BUXTON FORMAN.Vol.VII. New York, 1939.
250. KINGSLEY, CHARLES.《金斯利的通信及生平回忆》His Letters and Mcmories of His Life, ed. by his Wife. 4 vols. London,1902. First published, 1877.
251. MAUPASSANT, GUY DE《小说》 "The Novel, " in No. 18, pp.198—201．
252. PACEY, DESMOND.《福楼拜和他的维多利亚时代的批评家》 "Flaubert and His Victorian Critics, " University of Toronto Quarterly,XVI（October, 1946）, 74—84.
253. RAY, GORDON N.《被遗忘的生活》The Buried Life：A Study of the Relation Between Thackeray's Fiction and his Personal History.Cambridge, Mass., 1952.
254. SCHLEGEL, A. W. VON.《莎士比亚》 "Shakspeare," from "Lecture XXIII," in Lectures on Dramatic Art and Literature（1809—1811）. Translated by JOHN BLACK, 1815. Revised by A. J. W.MORRISON,London, 1861．
255．SCHORER, MARK.《〈好兵〉中的好小说家》 "The Good Novelist in 'The Good Soldier', " Horizon, XX （August, 1949）, 132—138.
256. STOCK, IRVIN.《〈威廉·迈斯特的学习时代〉考察》 "A View of Wilhelm Meister's Apprenticeship, " PMLA, LXXII （March,1957）,84—103.
257. TOYNBEE, PHILIP.《活死人》 "The Living Dead—III：Thoughts on Andre Gide," The London Magazine, III（October, 1956）,46—53.
258. WEST, JESSAMYN.《被驱赶的奴隶》 "The Slave Cast Out," in No. 39.
259. ABRAMS, M. H. （ed.）.《文学与信念》Literature and Belief.（ "English Institute Essays, " 1957）, New York, 1958.
260.——．《镜与灯》 The Mirror and the Lamp. New York,1953.
261. BAKER, JOSEPH E.《小说的美学表面》 "Aesthetic Surface in the Novel, "The Trollopian, II （September, 1947）, 91—106.
262. BELLOW, SAUL.《作家与读者》 "The Writer and the Audi—ence, "Perspectives, IX （Autumn, 1954）, 99—102.
263. BURKE, KENNETH.《反驳》Counter—Statement. Los Altos,1953.First published, 1931．Esp. "Psychology and Form" and "Lexicon Rhetoricae."
264.——．《文学形式的哲学》The Philosophy of Literary Form．Rev. ed., New York, 1957. First published, 1941．
265. COLERIDGE, SAMUEL TAYLOR.《希腊戏剧》 "Greek Drama, " in No. 97, pp. 13—19.
266. COLLINGWOOD, R. G.《艺术原理》The Principles of Art.New York, 1958. First published, 1938.
267. CROCE, BENEDETTO.《美学》Aesthetic. Translated by D.AINSLIE. 2d ed., London, 1922.
268. ELIOT, T. S.《哈姆雷特和他的问题》 "Hamlet and His Problems, " Athenaeum, Sept. 26, 1919, pp. 940—941. Reprinted widely.
269. ELLISON, RALPH.《社会、道德, 与小说》 "Society, Morality,and the Novel, " in No. 39.
270. KEENE, DONALD.《日本文学》Japanese Literature. London, 1953. Esp. chap. iii.
271. KENNER, HUGH.《诗的艺术》The Art of Poetry. New York,1959.
272. PATER, WALTER.《文艺复兴》The Renaissance. London,1888.
273. POTTLE, FREDERICK A.《诗的风格》The Idiom of Poetry.Ithaca, N. Y., 1941.
274. POUND, EZRA.《使其新颖》Make It New. London, 1934.New Haven, 1936.
275. STYRON, WILLIAM.《访问记》 "Interview," in No. 78.
276. THIBAUDET, ALBERT.《小说迷》Le liseur de romans. Paris,1925.
277. VALERY, PAUL.《诗的艺术》The Art of Poetry. Translated by DENISE FOLLIOT. New York, 1958. Esp. the chap. entitled " PurePoetry.”
278. VIVAS, ELISEO.《托·斯·艾略特的“客观对应物”》 "The Objective Correlative of T. S. Eliot, "American Bookman, I （Winter,1944）, 7—18. Reprinted in STALLMAN, R. W. （ed.）. Critiques and Essays in criticism：1920—1948. New York, 1949.
279. WARREN, ROBERT PENN.《纯的和不纯的诗》 "Pure and Impure Poetry, "Kenyon Review, V （Summer, 1943）, 228—254. Reprinted in STALLMAN, op. cit.
280．WEINBERG, BERNARD.《罗伯泰洛论〈诗学〉》 "Robertello on the Poetics," in No. 21．
281. WIMSATT, W. K.《言辞的偶像》The Verbal Icon. Lexington, Ky., 1954.
282. ANON.《伦理道德品质》 "The Ethic of Quality, "TLS, Jan.6, 1961, p. 8.
283. BART, B: F.《〈包法利夫人〉的审美距离》 "Aesthetic Distance in Madame Bovary, "PMLA, LXIX（December, 1954）, 1112—1126.
284. BROOKS, CLEANTH.《反讽作为结构的一项原则》 "Irony as a Principle of Structure, " in ZABEL. MORTON, DAUWEN. Literary Opinion in America. Rev. ed., New York, 1951.
285. BURKE, KENNETH《托马斯·曼与安德烈·纪德》 "Thomas Mann and Andre Gide, "Bookman, LXXI （June, 1930）, 257—264.Reprinted in No. 263.
286. CRANE, RONALD S.《克林思·布鲁克斯；或, 批评一元论之破产》 "Cleanth Brooks; or, The Bankruptcy of Critical Monism, "Modern Philology, XLV （May, 1948）, 226—245. Reprinted in No. 21.
287. HARBAGE, ALFRED.《如愿以偿：论莎士比亚与道德》As They Liked It：An Essay on Shakespeare and Morality. New York, 1947.
288. HOUGH, GRAHAM《想象与体验：对一场文学革命的看法》Image and Experience：Reflections on a Literary Revolution. London,1960.
289. JANKELEVITCH, VLADIMIR《反讽》L'Ironie. Paris, 1936.
290. JARRELL, RANDALL《诗歌与时代》Poetry and the Age. New York, 1953.
291. KNIGHT, G. WILSON《火轮》The Wheel of Fire. Rev. ed., London, 1949.
292. KNIGHTS, L. C.《亨利·詹姆斯和落入圈套的旁观者》 "Henry James and the Trapped Spectator, "Explorations：Essays in Criticism Mainly on the Literature of the Seventeenth Century. London, 1946.
293. LANGBAUM, ROBERT《诗歌的体验》The Poetry of Experience.London, 1957.
294．SARTON, MAY.《反讽之盾》 "The Shield of Irony. " Nation,April 14, 1956, pp. 314—316.
295. SEDGEWICK, G. G.《关于反讽, 特别是戏剧中的反讽》Of Irony, Especially in Drama. Toronto, 1935.
296: SHARPS, ROBERT BOIES《戏剧中的反讽：论模仿, 震惊和净化》Irony in the Drama：A”Essay on Impersonation, Shock, and.Catharsis. Chapel Hill, N．C., 1959.
297. SPENDER STEPHEN.《创造的因素》The Creative Element: A Study of Vision, Despair and Orthodoxy among Some Modern Writers.London, 1953.
298．THOMPSON. ALAN R.《一本正经的模仿：戏剧反讽的研究》The Dry Mock：A Study of Irony in Drama. Berkeley, 1948.
299．TURPIN, A. R.《简·奥斯丁：缺陷或过失？》 "Jane Austen：Limitations or Defects? "The English Review, LXIV （January, 1937）, 53—68.
300．RINGS. DONALD A.《〈我要知道什么〉的角度与主题》 "Point of View and Theme in 'I Want To Know Why,' "Critique, III （SpringFall, 1959）, 24—29.
301．HARDING, D. W.《受到控制的憎恶：简·奥斯丁小说的一个方面》 "Regulated Hatred：An Aspect of the Work of Jane Austen, " Scrutiny, VIII （June, 1939—March, 1940）, 346—362.
302．BRICK, ALLAN R.《〈呼啸山庄〉：叙述者, 读者和信息》 "Wuthering Heights：Narrators, Audience, and Message, "College English,XXI（November, 1959）, 80—86. See also No. 149.
303．HAFLEY, JAMES.《〈呼啸山庄〉中的反面角色》 "The Villain in Wuthering Heights, "Nineteenth—Century Fiction, XIII （December, 1958）, 199—215.
304. BREE, GERMAINE.《加缪》Camus. New Brunswick, N. J., 1959.
305. VIGGIANI, CARL A. 《加缪的〈局外人〉》 "Camus' LÉtranger, "PMLA, LXXI（December, 1956）, 865—887.
306．AUDEN, W. H.《反讽式主人公：对堂·吉诃德的一些看法》乔叟 "The Ironic Hero: Some Reflections on Don Quixote, "Horizon, XX（August, 1949）, 86—93. See also No. 131．
307. BLOOMFIELD, MORTON W．《特罗伊拉斯和克莱西德：距离与注定》 "Distance and Predestination in 'Troilus and Criseyde', "PMLA,LXXII（March, 1957）, 14—26.
308. DONALDSON, E. TALBOT.《朝圣者乔叟》 "Chaucer the Pilgrim, "PMLA, LXIX （September, 1954）, 928—936.
309. MAJOR, JOHN M.《朝圣者乔叟的个性》 "The Personality of Chaucer the Pilgrim, "PMLA, LXXV （June, 1960）, 160—162.
310. WOOLF, ROSEMARY.《讽刺家乔叟》 "Chaucer as a Satirist in the General Prologue to the Canterbury Tales, "Critical Quarterly, I（Summer, 1959）, 150—157.
311. TINDALL, WILLIAM YORK.《为马洛辩护》 "Apology for Marlow, " in No. 67.
312. FRANK, JOSEPH.《虚无主义和〈地下室手记〉》 "Nihilism and Notes from Underground, "Sewance Review, LXIX （January—March,1961）, 1—33.
313. WALCUTT, CHARLES. CHILD.《伯纳德·克莱尔的“评论”》 "Review" of Bernard Clare, Accent （Summer, 1946）, p. 267.
314．FREY, LEONARD H.《〈那个黄昏的太阳〉中的反讽与角度》 "Irony and Point of View in " That Evening Sun," Faulkner Studies, II（Autumn. 1953）, 33—40.
315. WASIOLEK, EDWARD.《〈我弥留之际〉：目前评论中对于落伍的艾迪的曲解》 "As I Lay Dying: Distortion in the Slow Eddy of Current Opinion, "Critique, III （Spring—Fall, 1959）, 15—23.
316. HAELEY, JAMES.《〈好兵〉的道德结构》 "The Moral Structure of 'The Good Soldier', "Modern Fiction Studies,V（Summer, 1959）, 121—128.
317. SCHORER, MARK.《创作〈好兵〉的好小说家》 "The Good Novelist in ‘The Good Soldier'," Horizon, XX （August, 1949）, 132—138.
318. LABOR, EARLE. 《亨利·格林的爱之网》 "Henry Green's Web of Loving, "Critique, IV （Fall—Winter, 1960—1961）, 29—40.
319. CREWS, FREDERICK C.《〈福谷传奇〉的新的理解》 "A New Reading of The Blithedale Romance, "American Literature, XXIX（May, 1957）; 147—170.
320. DAVIDSON, FRANK．《关于〈福谷传奇〉的重新评价》 "Toward a Re—evaluation of The Blithedale Romance, "New England Quarterly,XXV （September, 1952）, 374—383.
321. HEDGES, WILLIAM L.《霍桑的〈福谷〉：叙述者的功能》 "Hawthorne's Blithedale：The Function of the Narrator, "Nineteenth— Cen—tury Fiction, XIV（March, 1960）, 303—316.
322. WAGGONER, HYATT H.《霍桑》Hawthorne. Cambridge, Mass., 1955.
323. BECK, WARREN.《梅康伯太太短暂而幸福的一生》 "The Shorter Happy Life of Mrs. Macomber, "Modern Fiction Studies, I（November, 1955）, 28—37.
324. BLACKMUR, R. P.（ed.）《小说的艺术：亨利·詹姆斯批评的序言》The Art of the Novel: Critical Prefaces of Henry James. New York,1934.
325. MATTHIESSEN,F.O.,and MURDOCK, KENNETH B.（eds.）．《亨利·詹姆斯的笔记》The Notebooks of Henry James. Oxford, 1947.
326. RICHARDSON, LYON.《亨利·詹姆斯的参考文献》 "Bibliography of Henry James, " in No. 328.
327. SPILLER, ROBERT, et al.《美国文学史》Literary History of the United States. New York, 1948. III, 584—590.
328. DUPEE, F. W. （ed.）.《亨利·詹姆斯的问题》The Question of Henry James. New York, 1945.
329. Hound and Horn, Vol. VII, No. 3 （April—May, 1934）,《向亨利·詹姆斯致敬》 "Homage to Henry James."
330. Kenyon Review, V （Autumn, 1943）, 《亨利·詹姆斯专著》 "The Henry James Number. "
331. CLAIR, JOHN A.《美国人：重新解释》 "The American: A Reinterpretation, "PMLA, LXXIV （December, 1959）, 613—618.
332. BASKETT, SAM S.《〈阿斯彭遗稿〉中现在的意识》 "The Sense of the Present in The Aspern Papers" （ "Papers of the Michigan Academy of Science, Arts, and Letters," Vol. XLIV, 1959）, pp. 381—388.
333. STEIN, WILLIAM BYSSHE.《〈阿斯彭遗稿〉：假面的喜剧》 "The Aspern Papers：A Comedy of Masks, "Nineteenth—Century Fiction.XIV （September, 1959）, 172—178.
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336. BEWLEY, MARIUS.《复杂的结局：霍桑、亨利·詹姆斯及其他一些美国作家》The Complex Fate: Hawthorne, Henry James and Some Other American Writers. London, 1952.
337. EDEL, LEON （ed.）.《导论》 "Introductory Essay," in The Sacred Fount. New York, 1953.
338．CARGILL, OSCAR.《加布里埃尔·纳什——有几分不像天使？》 "Gabriel Nash-Somewhat Less than Angel? "Nineteenth—Century Fiction, XIV （December, 1959）, 231—239.
339. BURKE, KENNETH.《三种释义》 "Three Definitions, "Kenyon Review, XIII （Spring, 1951）, 173—192.
340. DONOGHUE, DENIS.《乔伊斯和有限的秩序》 "Joyce and the Finite Order, "Sewanee Review, LXVIII （Spring, 1960）, 256—273.
341. EMPSON, WILLIAM《尤利西斯的主题》 "The Theme of Ulysses, "Kenyon Review, XVIII （Winter, 1956）, 26—52.
342. GOLDBERG.S.L.《古典的倾向：关于詹姆斯·乔伊斯〈尤利西斯〉的研究》The Classical Temper: A Study of James Joyce's Ulysses.London, 1961．
343. ——．《乔伊斯与艺术家的指甲》 "Joyce and the Artist's Fingernails, "A Review of English Literature, II（April,1961）, 59—73.
344. KAIN, RICHARD M.《乔伊斯：阿奎那或者达德路斯？》 "Joyce:Aquinas or Dedalus? "Sewanee Review, LXIV （Autumn, 1956）,675—683.
345. KENNER, HUGH.《都伯林的乔伊斯》Dubin's Joyce. Bloomington, Ind., 1956.
346. ——.《透视的肖像》 "The Portrait in Perspective, "Kenyon Review, X （Summer,．1948）, 361—381．
347．NOON, WILLIAM T., S. J.《乔伊斯和阿奎那》Joyce and Aquinas. New Haven, 1957.
348．REDFORD, GRANT.《乔伊斯〈肖像〉中结构的作用》 "The Role of Structure in Joyce's 'Portrait,' "Modern Fiction Studies, IV（Spring,1958）, 21—30.
349. THOMPSON, FRANCIS I.《睡眠中的艺术家的肖像》 "A Portrait of the Artist Asleep, "Western Review,XIV（1950）, 245—253.
350．THOMPSON, LAWRANCE《斯泰恩—梅瑞狄斯—乔伊斯作品中的喜剧性》A Comic Principle in Sterne—Meredith—Joyce. Oslo, 1954.
351．CORKE, HILARY.《丧失自信》 "Lack of Confidence, "Encounter, VII （July, 1956）, 75—78.
352. BOWEN, MERLIN.《莱德伯恩和幻想的角度》 "Redburn and the Angle of Vision, "Modern Philology, LII （November, 1954）, 100—109.
353. SCHIFFMAN, JOSEPH.《麦尔维尔晚期, 反讽：重新检查〈比利·布德〉的批评》 "Melville's Final Stage, Irony：A Reexamination of Billy Budd Criticism, "American Literature, XXII （1950）, 128—136.
354. EMPSON, WILLIAM《为大利拉一辩》 "A Defense of Delilah';Sewanee Review, LXVIII （Spring, 1960）, 240—255.
355. BREE, GERMAINE.《马瑟尔·普鲁斯特和从时间中解放出来》Marcel Proust and Deliverance from Time. Translated by C. J. RICHARDS and A. D. TRUITT. New York, 1955; London, 1956.
356. SAMUEL, MAURICE.《马瑟尔的隐匿：普鲁斯特的犹太作风》 "The Concealments of Marcel：Proust's Jewishness, "Commentary（January, 1960）, 8—28.
357. BOYCE, BENJAMIN.《论伊恩·瓦特的〈小说的崛起〉》Review of Ian Watt's The Rise of the Novel, Philological Quarterly, XXXVII（July, 1958）, 304—306.
358. RABKIN, NORMAN.《克拉丽莎：习俗的研究》 "Clarissa: A Study in the Nature of Convention, "ELH, XXIII （September, 1956）, 204—217.
359. SHERBURN, GEORGE.《关于慧骃的谬误》 "Errors concerning the Houyhnhnms, "Modern Philology, LVI （November, 1958）, 92—97.
360. WILLIAMS, KATHLEEN.《乔纳森·斯威夫特和妥协的时代》Jonathan Swift and the Age of Compromise. Lawrence, Kan., 1958.
361. GIRAULT, NORTON R.《作为象征的叙述者的思想：分析〈全体国王的臣民〉》 "The Narrator's Mind as Symbol: An Analysis of All the King's Men, "Accent （Summer, 1947）. Reprinted in No. 1．